Chapter One - Malcolm

The weather was so fine that day that when my afternoon art class (eighteen first-, second-, and third-graders) begged to have class outside, I agreed. I told the boys to get mats from a cupboard to sit on, wrote a note on the chalkboard of where we would be in case anyone came looking for us, and herded a noisy gaggle of young boys, eager to spend a spring afternoon outside, from the art room to the school grounds. Goodwin Academy was located outside of Louisville, close enough to the city that many parents could visit their boys every weekend. The ages of Goodwin students ranged from six to thirteen; thanks to some severe bullying incidents a few generations before, we kept the boys mostly separated by age except for meals. My art classes were one of the few instances when several grades would meet together, which meant that two of my lover's sons, Alan and Frankie Davenport, were both in the class.

As we left the tidy gardens for the woods just beyond the school grounds, the boys ran ahead except for Alan, who had volunteered to carry a folding wooden chair for me, and Frankie. He was only six and still shy around other bigger boys unless Alan was was nearby, and tended to stick close to his side.

On this walk, though, he stuck close to me, and his hand slipped into mine that wasn't holding my cane. "Mr. Malcolm?"

"Yes, Frankie?" I answered.

"Um," he said and looked at Alan, who was walking by my other side with the folding chair awkward in his arms. "Can I carry your satchel?"

I started to say no, I could handle it, but then looked down at Frankie's hopeful face. He had his father's dark eyes and hair and olive skin, but had inherited a dusting of freckles from his mother. "Sure," I said and stopped long enough to drape it over his shoulder. "Thank you."

He grasped the strap with both hands. His walk took on a little bit of a strut, and I hid my smile. I tried not to show any favoritism to the Davenport boys no matter how often I fucked their father, but it was hard not to favor them when they were so sweet.

I had told the boys to wait at the dry creek bed, so by the time I reached it they were gathered on the banks, their mats and pencil case abandoned on the grass as they chased each other in an impromptu game of tag. I had them sit and thanked Alan for setting up the folding chair for me, and eased into it, my bad leg stretched out in front of me.

"All right, boys," I said, "today's assignment is to take ten minutes and find one thing -- a branch or a leaf or a rock, something small -- and draw just that one thing. Now, now," I said, holding up my hand at their groans, "I know you like drawing battleships and airplanes and what-not. Later. Master the little things first. Then you can move onto the bigger ones."

Off into the woods they scampered. I shouted, "Ten minutes!" and noted the time on my wristwatch so I could call them back.

I had no illusions that any of my students would become artists. The most talented might become graphic designers; there might be future engineers or architects in my classes, but most of them took art because they had to, not because they enjoyed it, and would do little more in twenty years than occasionally doodle on their blotters as they invested money or practiced law. I had been praised for my talent since I was small, but even I taught high school French before the war rather than try to make a living painting or illustrating.

Sometimes I toyed with the idea of going back to Europe and studying art properly in Paris, but that seemed like a pursuit for men whom the war had left whole, or at least less visibly broken than me.

As I waited for the boys to return -- one ear cocked for sounds of trouble -- I took my own sketch pad out of my satchel and opened it to a blank page. My classroom sketchbooks were sanitary to the point of dullness -- studies of hands or faces, copies of Old Masters, the occasional stiff life -- and I decided to do the assignment along with my students. Things I actually enjoyed drawing stayed in the sketchbooks I showed no one, carefully locked away in my rooms.

The boys began to trickle back, and many of them proudly showed me the pretty leaves or interesting rocks they had found. With Alan's help, Frankie even found a stick with a caterpillar crawling up it, which we carefully set up in a clump of grass so the caterpillar would want to stay long enough for Frankie to draw it.

When ten minutes has passed, I shouted, "Time's up!" and left our little group to gather the rest of the boys. I did a quick headcount once they were seated on their mats, and all eighteen were soon bent over their drawing pads, pencils or crayons grasped tightly in their fingers. I walked among them as much as the uneven ground would permit me, using my cane for balance when I needed to stoop down and talk to the boys.

I was advising one of the boys on how to capture a particularly complicated vein in a leaf when Alan said, "Mr. Malcolm, I hear shouting."

My hearing hadn't been the same since the war, so it took a moment for me to hear it too -- a voice that sounded like the headmaster of the school, Archie Goodwin, shouting, "Malcolm! Malcolm Carmichael!"

"Stay here, boys," I said and climbed up the path that led from the creek bed to the woods beyond. I saw Archie on the main trail with two other teachers, and waved to them. "Is something wrong?" I said when Archie came puffing up to me.

"I need to talk to you alone," he said and gave me a quick smile that wasn't as reassuring as he intended it to be. We all went down the path again, and Archie told the class, "Boys, we need to cut art class short today. Go back with Mr. Douglas and Mr. Vincent. Don't complain," he said at their response. "You'll get to finish your projects in the dining room."

The boys gathered their mats and packed away their pencils, and went dejectedly back up the path, herded by the two other teachers. Both of them gave me sympathetic looks, which didn't tell me anything helpful.

Alan Davenport lingered at the back of the line. "Mr. Malcolm? Who'll carry the chair for you?"

"I will, Alan," Archie assured him. "Go on, now. Don't keep the rest of your class waiting." He watched until Alan was far up enough on the path that we could no longer see him, and then turned to me.

I'd never had a premonition in my life, but at that moment I knew exactly what had brought Archie out in the middle of the afternoon -- I didn't even need to look at the telegram he held out. I covered my eyes with my hand and began to sob.

Archie said, "Would you like me to read it to you?" "Yes," I said, so Archie read the short sentences -- "Mother gone stop, funeral Saturday stop, love Dad stop" -- in his most gentle tone and then folded the telegram and put it away in his coat pocket.

"I'm so sorry, Malcolm," Archie said and directed me to the folding chair. I sat, one hand wrapped around my cane like it would never be removed, and hunted in my pockets for a handkerchief.

"Thank you," I said, and then gave a sharp, bitter laugh. "Seven pencils but not a handkerchief to be found."

"Here." Archie handed me his, and I wiped my eyes and blew my nose. He waited until I stopped honking and sniffling to say, "Was this sudden?"

"No," I said. "She's been ill for some time. Lung cancer."

"Oh, my God," Archie said.

"Yes." I inhaled, slow and shaky, and exhaled. "I just thought we'd have more time."

"We always hope we have more time," Archie said gently. He was a round little man who radiated kindness, which made him beloved by his students and admired by his staff. This softness was deceptive, however -- he was as reluctant as any other soldier to talk about the war, but I knew how the military had made use of his mathematical skills. "You'll want to go to California for the funeral, of course."

"I'll catch a train tonight." It was over a day's travel by train from Louisville to San Francisco, but there was enough time before the funeral for me to get there as well as my sister, Mary Kate, and her husband George to travel from Chicago.

"We'll have one of the gardeners drive you to the station," said Archie. "Send a telegram when you're ready to come back and someone will meet you."

I nodded. "Thank you." I scrubbed my hand through my hair, trying to think. "I should -- I should --"

"You should pack," Archie said. "I'll arrange for someone to cover your classes. Where are your lesson plans?"

"I'll bring you my planning book before I go." I looked toward the school with a sigh. So much to do, to prepare for ...

"Come on," Archie said, nodding toward the school, and once I was standing he folded the chair and held it under his arm for the walk back.

The windows of the dining room looked out into the gardens, and as we approached I could see the faces of my class pressed against the glass. The boys poked each other and whispered when we came into view, and Archie said, "I'll tell them what's happened and that you'll be away for a few days." He patted my shoulder. "Don't worry, Malcolm."

"Thank you, Archie," I said, and headed for the teachers' dormitory. Unmarried teachers were given small bedroom-cum-sitting rooms as their living quarters; they were plain but granted us a little privacy, always welcome after a day spent in a classroom.

I picked up the lone photo on my desk and sat on my bed. The photo was of my family before the war, the last time all six of us were together: my older brother Zachary, handsome and tall in 1941, dead on the Pacific Front in 1943; my sister Mary Kate, who would be widowed at Iwo Jima; me, before German bullets tore me up in the Battle of Hurtgen Forest; and Duncan, just a boy of thirteen when the picture was taken, the only one of us mostly untouched by the war. The photo included my parents, of course: my quiet father and my war-bride mother, after twenty-three years of marriage still holding hands like sweethearts. It was a boisterous photo, if photos can be described that way; we were happy that day, crowding together into the frame so that we all would fit, my parents indulgent and amused behind us. We had no idea what was in store for us, for the entire world.

I had to wipe my face again.

I packed mechanically -- a dark suit, a few days' worth of clothes -- and took my overcoat from the back of the closet. Spring in Kentucky was milder than it would be in San Francisco. The last time I had worn the overcoat had been the previous New Year's Eve, and the scent of the evening still lingered -- cigar smoke, expensive champagne, cold that never quite turned to snow.

I buried my face in the wool and inhaled. The scent filled me with longing, and longing filled me with resolve.

I put the coat down and went to the phone nook at the end of the hall. There was no one around -- afternoon classes were still in session -- and I felt confident no one would overhear as I dialed Oliver's office number.

"SJD Construction," Oliver's secretary, Isabel, said crisply. She was a graduate from Bowling Green, one of those incredibly intelligent women who would have been more than a secretary had she been a man. I liked her. I never said so, as she did not like me one bit. I doubted she knew the truth about Oliver and me, but something about our relationship -- too close and comfortable for teacher and parent -- triggered her disapproval.

"This is Mr. Carmichael from Goodwin Academy," I said, "calling for Oliver Davenport."

There was a pause, and then she said, "One moment, please," and put me on hold. As I waited I leaned my head on my hand and breathed in and out slowly, through my mouth, the way I did when I wanted to go back to sleep after a nightmare.

The line clicked back on. "Oliver Davenport. Is Frankie all right?" "Frankie's fine," I said. "It's Malcolm. I called for me." I inhaled. "Oliver, my mother died."

"Oh," he said softly. "I'm sorry to hear that."

I thought he'd say more, but when he didn't I said, "You're not alone."

"That is correct."

"Damn it." I passed my hand over my face. "I'm leaving for the funeral tonight. I'll be gone a few days. Will you come with me to California? Please, Oliver. I need you."

"My schedule's full right now. I don't know if I could get away."

"Please," I whispered. "Tell Elizabeth it's a business trip. I'm taking the first train west that I can. I'll buy two tickets. Please, Oliver. Please come with me. I can't do this alone."

"I'll look into it." He paused as I tried not to start weeping again, and then he said gently, "Thank you for calling me. I'll get back to you soon."

"All right," I said and we hung up our phones.

I stayed in the phone nook for a few minutes more, my head buried in my hands, and then hauled myself to my feet and went back to my rooms to wash my face, and pick up my knapsack and garment bag.

Instead of one of the gardeners as I expected, when there was a soft tap at my door it was Henry Forrester, one of my fellow teachers. "Ready, Malcolm? I'll be driving you to the station."

"Don't you have classes this afternoon?"

He shrugged and picked up my luggage. "We're doing study hall today. Archie deemed it best, given the rearranging we'll have to do to cover your classes. It's fine," he added when I started to apologize. "No one minds."

We walked downstairs to the drive in front of the school, and I got into the town car as Henry put my luggage in the trunk.

I watched the countryside become the suburbs in silence as we drove into the city. Henry turned on the radio, and I closed my eyes as the strains of "We'll Meet Again" filled the car. He must have noticed, because he snapped the radio off again.

"I'm really very sorry about this, Malcolm," Henry said. "Your mother must have been a lovely woman."

"Thank you."

After a few more miles passed, he said, "We haven't talked much lately, you and I."

"I suppose not," I murmured.

"You've hardly talked to me at all since you met Mr. Davenport."

I opened my eyes and looked at him. His tone and expression were mild, but his hands gripped the steering wheel tightly enough that his knuckles were white. "Henry," I began.

He said, "What does he have that I don't? He's ancient--"

"He's fifty-two."

"He's married. He has children. We teach his children."

I said slowly, "What I see in him is between him and me. You and I, we were never anything serious." "I was serious about you."

"We slept together once." To be honest, I hadn't looked on our brief liaison as anything more meaningful than the furtive meetings I'd had with fellow soldiers during the war. That Henry thought of it as something worth keeping was news to me, especially since a year had passed since that night.

But, I realized as we drove in icy silence, perhaps I had noticed the longing looks, the way Henry took any opportunity he could to be alone with me or work alongside me, the way he let our hands brush. I had chosen to interpret it as familiarity, rather than a request for more.

"He'll never make you happy," Henry said at last. "He'd never endure the scandal of leaving wife number two for another man. Never."

"Is that why you offered to drive me? To tell me off?"

Henry sighed. "We needed to talk. Of course, you're not going to listen to me. You never listen to anyone."

Something of the Carmichael stubbornness made me want to protest that I did listen to people when they had something helpful to offer, but I just kept my mouth shut. Arguing with an ex-lover about the current one never ended well for either party.

Instead, I said, "Unless you're planning to expose us, I don't see how this is any of your business -- and if you're planning to expose us, I'd give it some serious thought. Oliver Davenport is a well-respected and powerful man in this community."

"I'm not planning to expose you," he said wearily. "I -- I suppose I -- I don't want you to go to your mother's funeral alone, and I know you are because you want Oliver to join you. He won't, of course."

"You don't know anything about it," I muttered.

"Stubborn." He paused. "I'm still fond of you. I still wish we could have made it work. I'd go with you in a heartbeat, if you ask me to."

Looking back on it now, I wonder what course my life would have followed if I did. Henry was a sweet boy, handsome, gentle -- it's possible we might have found happiness.

I didn't, of course. I wanted Oliver and no one else.

We arrived at the train station, and he took my luggage out of the trunk as I climbed from the auto. Henry watched me pull on the knapsack and pick up the garment back, and then said, as I started to climb the steps, "Malcolm. I -- I don't wish you ill. But you know he's only going to break your heart."

"It won't be the first time," I muttered in reply, and then concentrated on getting up the steps.


The first train that would get me to California wasn't leaving for another hour and half. I bought two tickets and a compartment, sent a telegram to tell my father when to expect my train, and sat near the platform to wait. I had a sketchbook with me, as always, but my usual method of passing the time was no good today -- I kept looking up to search the crowd for Oliver, and I knew that while all I wanted to draw was my mother's face, actually doing so would start a fresh bout of weeping. The looks the cane got me were bad enough. I didn't want to add "pathetic" on top of "cripple."

The platform grew steadily more crowded, with mothers trying to keep track of their children, single girls glamorous in their New Look suits and red lipstick, businessmen with newspapers folded under their arms. My heart leapt every time I saw a dark-haired man in a suit, and every time I was disappointed.

My train pulled into the station and many of its passengers disembarked. Porters and new passengers began to board, with more noise and calling back and forth. I picked up my own knapsack and garment bag, and a porter came over to help me -- a Negro fellow with scars on his face and neck that told me he was likely a veteran, too. "Can we wait five more minutes?" I said, and he looked at the train.

"It's cutting it awful close, sir."

I sighed. I knew that. I kept hoping if I just gave him a little more time -- but I had to face the truth.

Oliver wasn't coming.

I followed the porter on board to my compartment, and tipped him generously for being so patient. The compartment enabled me to stretch out more than an ordinary seat would have, and I did so once the porter had gone, the door shut firmly behind him. No dark-haired figure rushed through the waving crowd; no one came running down the corridor to throw open my door and apologize for being late, of course he would come with me to my mother's funeral.

I would have to do this one alone.


The train finally pulled into the San Francisco station early in the morning. I was one of the few to disembark, most of my fellow passengers having already reached their stops or changed trains for Los Angeles and other points south.

There were few people on the platform at that time of the morning, and I spotted Duncan at once. During the war, he had grown from a gangly thirteen-year-old to a solid young man of seventeen, and now at twenty-one he looked like he should be commuting to a steady job in a suit and porkpie hat rather than lingering on a train platform in dungarees and a leather jacket. I said, "Duncan," and he answered, "Mal," and we hugged each other. He pulled back to look at me, his hand on my neck. "You look done in."

"I feel done in." I waited until the porter brought my things to ask, "How's Dad?"

Duncan shrugged, one-shouldered. "You know Dad. He's the strong one, no matter what." He took my luggage from the porter and waited while I tipped him, and then Duncan nodded his head in the direction of the parking lot. "Car's this way."

"And you?" I said as we walked. "How are you holding up?"

Duncan didn't answer for a minute or two. "It's weird," he said. "I saw her in the hospital the day before -- before it happened. She was fine. Cheerful, even. Said she loved me and would see me soon when I left. And then Dad went in that night and he said she exhaled and was gone."

I nodded. Death, in my experience, was usually a quiet thing, no matter how much noise and blood had preceded it.

Duncan opened the car door for me and I got in, and then he went to the trunk to put my luggage away. Dad had finally traded in his pre-war paneled jalopy for a '47 Ford sedan, and when Duncan turned the key the engine woke with a rumble. Duncan said as he steered out of the parking lot, "Uncle Greg and Uncle David have been with Dad since last night. One thing about the Carmichael clan, we can be counted on in bad times as well as good."

I smiled as I looked out the window at the sleeping city. My family -- my extended family -- was sprawling and ridiculous, and I loved them for exactly that. "I can't imagine getting through something like this alone."

"Yeah. The whole neighborhood has brought flowers or casseroles." He paused. "The only thing that's upset him is when someone says Mom's in a better place."

I winced. "After thirty-three years of them not going to church, our neighbors should know better."

"I think when it comes to death, nobody knows what to say and so they fall back on cliches."

I looked at Duncan, who was watching the road. "When did you get to be so wise?"

He smiled at me. "I'm not a kid in short pants anymore, Mal."

I laughed and looked out the window again.

Our house, the one I had grown up in and where my father and mother still lived -- just my father now, I thought with a pang -- was a narrow, tall place in the Potrero Hill neighborhood. Not one of the famous Victorian painted ladies that most people associate with San Francisco, the house was more earthy -- shades of brown and cream, porches and window-frames free of ornamental gingerbread, far more Craftsman than Victorian, as it had been built after the great quake of '06. Its plainness had always suited my parents just fine; the inside of the house was just as simple, our furniture Shaker or Mission style, our pictures and decorations few. Instead of knickknacks we filled the shelves with books; instead of a radio we had a piano; our art was hand-drawn pictures, family photos, framed labels of the family whiskey.

Duncan parked in the garage at the back of the house -- it had been a carriage-house when first built -- and got my luggage from the trunk as I climbed out of the sedan. As we went through the garden to the back door that opened to a sun porch, I asked Duncan, "What about Matilda? Is she coming?"

"I called her," Duncan said. "She's coming."

"Good," I said. Matilda and Zachary had been high school sweethearts, and married as soon as he enlisted. My niece Zoe was the result, a blond and blue-eyed girl who only knew her daddy from pictures. I hadn't seen either of them since Zachary's body was shipped home from the Pacific in 1949. "I'm looking forward to seeing them again."

"She doesn't visit often," Duncan said. "I suppose I can't blame her."

I paused on the porch. I could see the kitchen through the window that opened onto the sun room, and people moving about as they poured coffee or served themselves from pans on the stove or plates on the counter. Uncle Greg, Aunt Rhoda, various cousins -- no one I didn't expect.

It was a relief.

Duncan paused too, his hand on the doorknob. "What's wrong?"

"Nothing," I said, and hoped it would last.

We went inside, and Duncan called, "Malcolm's here!" In a moment I was enveloped in the arms of various relatives, with kisses on my cheek and many concerned queries about my state of being. Duncan took my luggage upstairs as the Carmichael clan bore me to the dining room table and someone set a plate full of scrambled eggs, bacon, and toast in front of me. Dad sat at the other end of the table with a similarly loaded plate and a bemused expression, and we smiled at each other ruefully. Talk would have to come later, when the relatives had retreated.


Eventually Dad convinced the relatives to let me sleep a while, since I'd been stuck on a train all night. I retreated to my old room and stretched out on what had been my bed from the time I was four until I left home. Zachary and I had shared this room until he left for college, and it still bore the stamp of two growing boys: outgrown clothes in the wardrobe, adventure novels on the bookshelves, and I was fairly certain if I worked up a certain loose board there would still be some French postcards and jazz cigarettes in our little hiding place. It was in this room that I confessed to Zachary that I didn't want to marry a girl; it was in this room that I announced my intention to enlist; it was in this room that Zachary made the decision to marry Matilda before he shipped out. We had whispered secrets to each other from one twin bed to the other for years. Looking at the empty bed now made my throat ache.

Still, I almost expected Zachary to be on that other bed, smiling at me in his fond, indulgent way, ready to say, "Stop feeling sorry for yourself, Mal." He had comforted me through the first, worst grief of my young life, but Zachary was also the one to talk sense into me, to remind me that life was worth living even when I had lost my first love.

I searched for a pocket-handkerchief and came up with two pencils and a paper cocktail napkin, and used that to wipe my face. Coming home would always be this way, it seemed -- one reminder after another of all that I had lost.

Eventually I slept, and was awakened by rapid footsteps on the staircase before a brisk tap on the door. "Mal!" Mary Kate said and bounced into the room, her five-month-old daughter Rosemary on her hip.

"Mary Kate," I answered as I sat up and held out my arms for Rosemary, who came into them willingly. Mary Kate kissed my cheek and sat cross-legged with me on the bed. "Where's George?"

"Bringing up the suitcases. There is so much paraphernalia necessary for traveling with an infant, Mal, so much more than you'd think for something so small."

I held Rosemary up so that her feet rested on my thighs, and she made jumping movements and waved her hands. She was so much more lively than the first time I'd seen her, when she was just a few weeks old and hadn't done much aside from sleep and eat and occasionally blink in confusion. Mary Kate leaned her head on my shoulder and smiled when Rosemary squealed.

"I see you, my baby," Mary Kate said to her fondly, and asked me, "How are you doing?"

"It doesn't seem real yet," I said. "You?"

"The same. I suppose having Aunt Rhoda in the kitchen instead of Mom is definitive proof." She stroked Rosemary's head, covered with soft dark hair -- she took after George in her coloring, with curly brown hair and big green eyes. She would probably have the Carmichael height, I thought, as she was a long, slender baby rather than the role-poly kind. "At least she got to meet this little one. I'm glad about that."

"Me, too," I said quietly.

Mary Kate had left the door ajar, and George peeked in before joining us, first stooping to give his daughter and wife a kiss, and then he shook my hand. "Good to see you, Malcolm."

"You too, George," I said. Rosemary leaned out of my arms for her daddy, and George took her and gave her a few more kisses.

He sat on the other bed with the baby on his knee. "How long are you planning to stay in San Francisco?"

"Not long," I said. "Goodwin gave me as long as I need, but I don't think I'll take more than a few days. What about you?"

"I have a week off from the paper," George said. "It depends on what Arthur needs, really."

"Of course, Duncan will be here," Mary Kate said.

"They'll basically be two bachelors fumbling around," said George.

Mary Kate gave him a patient look. "Don't underestimate him. My brothers were taught how to cook and do laundry just like I was taught how to change a tire and build a campfire."

"It's true," I remarked. "She makes excellent cowboy coffee."

They smiled at each other like they shared a secret -- which, I realized, they must, after four years of marriage. It was an odd feeling, knowing that my sister no longer told me everything -- a little bit of loss, a little bit of envy. What must it be like, I thought, to know someone so well you could have a conversation in complete silence?

I picked up my cane. "I think I'll go for a walk."

"Are you sure you're up to it?" Mary Kate asked, all motherly concern.

"I'll be fine." I picked up my jacket, too, and pulled it on.

Mary Kate pressed, "Are you planning to visit anyone?" I smiled at her humorlessly. "Who's left?" I said and left the house, glad that none of my relatives tried to stop me for a chat. The house was quieter now anyway, everyone having gone back to their regular lives for the day.

Downhill was easiest to walk, so downhill I went, trying not to look too closely at the houses of my friends who hadn't come home from the war. The last thing I wanted to see were gray faces peering at me from between the curtains.

At the corner of the block was the Hoffman place, a house I hadn't been inside since before the war. I paused, gazing at it from across the street. It was a modest little house, like most of our neighborhood, with a white picket fence and green shutters. The Hoffmans' only son, Daniel, had been my best friend when we were children, and we had done everything together. We had played marbles on the front walk, built a treehouse in the back yard, patched up our skinned knees, taught each other to kiss.

Mr. Hoffman was in the front yard, weeding the victory garden. He sat back on his heels as I stopped at the front gate. "Malcolm," he said with a nod.

"Hello, Mr. Hoffman," I said.

"I'm very sorry to hear about your mother," he said as he got to his feet. "She was a good woman. Very kind."

"Thank you," I said, and then behind Mr. Hoffman the front door opened and Mrs. Hoffman came onto the porch.

"Malcolm," she said warmly. She came down the front walk and opened the gate in their little picket fence. "So good to see you."

"Hello, Mrs. Hoffman," I said and bent to kiss her cheek.

"Won't you come in, dear? The walk from your house must be tiring for you now."

I glanced at the house, and then smiled at Mrs. Hoffman and said, "I'd love to. Thank you."

She held my arm as we climbed the steps. The house was much as I remembered it, austere and tidy. There was a framed photograph of Daniel, taken on the day we graduated from high school, on top of the upright piano. The frame had a black ribbon across one corner.

"There's fresh coffee," Mrs. Hoffman said.

"Thank you," I replied. "May I?" I gestured to the photograph, and she smiled, sad and small.

"Of course you may, dear." She bustled to the kitchen as I went to the piano and picked up the frame. I had no pictures of Daniel of my own but his face had never grown faint in my memory -- I knew every line, every freckle, the width of his eyes and the fullness of his mouth, as if we had seen each other yesterday.

I glanced up -- and then nearly dropped the frame, for there in the wing chair sat Daniel, grey-faced with shadows under his eyes, wearing the sweater and trousers he had been found in, his shirt collar not quite high enough to hide the rope burns around his neck.

I squeezed my eyes shut and told myself, Not real, not real, until I heard Mrs. Hoffman's returning footsteps from the kitchen.

"Are you all right, dear?" she said and I managed to find a friendly expression if not a genuine smile.

"I -- I miss him very much." I perched on the sofa with my cane beside me, and took the coffee cup she handed me. She sat in the armchair where I had seen Daniel just moments before and dropped a sugar cube into her cup.

"I understand you're teaching in Kentucky now."

"Yes, that's right." I had a sip. It was European-style coffee, strong and acrid. "It's an all-boys school called Goodwin Academy."

"You must be very good with your students," Mrs. Hoffman said and looked down at her coffee cup. "You were always so patient with Daniel, and with the younger boys."

I said softly, "Thank you. I enjoy it very much."

"I loved watching the two of you play. I think he wanted to be a teacher too, because of you." Her eyes met mine, and then she looked down at the cup again. "As much as I would have liked to see him teach, I'm glad he missed the war. We're not all cut out to be soldiers."

"That's true, ma'am," I murmured and had another sip of coffee. "I suppose coming home is the best anyone could hope for." Her gaze fell on my cane, and I knew the words she couldn't say -- she would trade any amount of mobility for the chance to have her son again.

Behind her Daniel gazed down at her, his face full of sorrow, and he lay his hand on her shoulder. She trembled as if she felt him, or felt at least felt the chill in the air that the dead bring.

I put my cup on the little tea-table between us and got to my feet. "I'm sorry, Mrs. Hoffman, I shouldn't have come."

"Malcolm," she said, standing too. "Please -- I've never had a chance to ask you -- please -- before he -- did he ever tell you anything, let a hint drop, about why?"

I looked down at her, my eyes stinging, and couldn't say the real reason even though I knew it: because he loved me, and he knew his parents would never accept it.

I said hoarsely, "No. I'm sorry," and left the house as quickly as I could.

Daniel, I was grateful to see, did not follow.

>> Chapter Two